![]() "The yacht has the same amenities as a 60-metre motor yacht but the way the spaces interact are completely different." "As the Domus idea was never thought of before, we had to isolate the key features and translate those into the design for maximum impact," founder Pieter van Geest told Dezeen. VGC and RDD said they reconsidered every aspect of yacht design to create the Domus concept. The designers say the trimaran is an improvement over the catamaran The main deck would include two VIP and four guest cabins, two atriums covered by solar panelled louvres, a spa, a gym, a pool, beach platforms, a cinema and lounge areas.ĭomus is named after a type of Ancient Roman house inhabited by the social elite, which was typically arranged around a central courtyard or atrium. "We strongly believe if you want the benefits of multihulls at 40-metre-plus size, the only practical solution is a trimaran." The main deck is entirely dedicated to villa-like living spaceĪll of Domus' services – such as the galley, laundry and crew mess – would be located in the central hull, while the outer hulls would be mainly used for storage, and the full length of the main deck above given over for the exclusive use of the owner and their guests. "We believe that the current trend to design large superyacht catamarans is fundamentally wrong," said the two design studios. The studios say they doubled the interior space compared to 40-metre catamarans because the vessel's functions could be organised into a more efficient design. Amid the automated crossbeams of lights swiveling from the floor, he began with reams of micro shorts and Bermuda cutoff jeans riffs on tailored jackets Betty Catroux sunglasses and slick, funnel-leg Western boots.Īfter nailing that message (a believable one, since all girls have been addicted to tiny shorts this summer), the segue to hippie glam-the style that Yves Saint Laurent elevated from the street in 1976-began with turban-tied Lurex head scarves and then moved into an extended run of gorgeous gold paisley embroidered dresses, tissue-like chiffon blouses, pleated lamé skirts, peasant smocks, and off-the-shoulder gathered necklines.Read: Starck expresses "unconditional support" for Ukraine after seizure of £444 million yacht he designed for Russian oligarch Yet for all that, everything that took place on that runway tonight centered around what Yves Saint Laurent did in the 20th century-his Le Smokings and his hippie deluxe Russian collection-and how Vaccarello systematically retools, rechannels, and reiterates it for a new generation. As a phenomenon, it could fuel any number of case studies about how the exclusionary hierarchies of luxury fashion have fallen and dissolved into irrelevance in today’s digital world. In the experiential stakes, public visibility of Saint Laurent under Anthony Vaccarello’s creative directorship reaches for miles and miles across the center of Paris it’s an event that gathers hundreds of onlookers, who sit on the walls opposite to see the models passing by. ![]() ![]() Somehow, the Saint Laurent show sensation has morphed into something between an open-air city spectacle, a rock concert, and a brand power rally. Pillars of white light strafed the night sky from a vast black stadium erected opposite the Eiffel Tower.
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